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Murals and political representation: other authors

​
Abshire, Jean E. ‘Northern Ireland’s Politics in Print’, Peace Review 15(2) 2003: 149-161

Aguiar, L. ‘“Look What We Have Gone Through”: Representation and Memory in the Bogside Murals in Northern Ireland’, Networking Knowledge: Journal of the MeCCSA Postgraduate Network, 7(3) 2014:

Arar, R. ‘International solidarity and ethnic boundaries: using the Israeli–Palestinian conflict to strengthen ethno‐national claims in Northern Ireland’, Nations and Nationalism 23(4) 2017: 856-877

Armstrong, Megan, Rice, Claire and Warwick, Ben. 'The Visual Communication of Brexit in Northern Ireland: Decoding Public Imagery on Identity, Politics and Europe', Territory, Politics and Government 2021; https://doi.org/10.1080/21622671.2022.2115544 

Belfast Journeys in Re-Imaging: Final Report, Belfast, Belfast City Council 2009

Belfast Murals (2009). Belfast: Appletree Press


Bell, L.M. ‘Writing on the Walls: Discourses of Violence and Catharsis in the Murals of Northern Ireland’, in L. Bell and G. Goodwin (eds) Writing Urban Space–Exploring the relationship between imaginative writing and the built environment, John Hunt Publishing 2012: 15-28.

Borthwick, Stuart. The Writing on the Wall: A Visual History of Northern Ireland's Troubles. Liverpool, Bluccoat Press 2015

Boyd, S. ‘Post-conflict tourism development in Northern Ireland: Moving beyond murals and dark sites associated with its past’, in R. Isaac, E. Çakmak and R. Butler (eds) Tourism and Hospitality in Conflict-Ridden Destinations. London, Routledge 2019: 226-239

Breslin, Sean. "By Their Walls You Shall Know them", Aquarius, 5, 1972: 66-71

Brown, Kris and MacGinty, Roger. ‘Public Attitudes toward Partisan and Neutral Symbols in Post-Agreement Northern Ireland’, Identities: Global Studies in Culture and Power, 10, 2003: 83-108

Bryan, Dominic and Gillespie, Gordon. Transforming Conflict: Flags and Emblems. Institute of Irish Studies, Queen’s University, 2000

Bryan, Dominic and McIntosh, Gillian. ‘Symbols and Identity in ‘new’ Northern Ireland’, in Paul Carmichael et al (eds) Devolution and Constitutional Change in Northern Ireland. Mancheser University Press 2005

Buckley, Anthony. "Drums and Symbols", The Guardian, 5 September 1986

Burnhill, Eleanor. 'Weeds and wild flowers: political tourism in west Belfast', Edinburgh Review 120, 2007


Bush, K. ‘The politics of post-conflict space: the mysterious case of missing graffiti in ‘post-troubles’ Northern Ireland’, Contemporary Politics 19(2) 2013: 167-189

Callaghan, M. ‘Painting over the Past: Political Palimpsests in Northern Ireland and the Complexities of the “Whitewash” Initiative’, in D. Schaub, J. Linder, K. Novak, S. Tam and C. Zanini (eds) Topography of Trauma: Fissures, Disruptions and Transfigurations. Brill Publishing 2019: 208-233

Carden, S. ‘The Gaeltacht Quarter of Mural City’, in J. Skinner and L. Jolliffe (eds) Murals and Tourism: Heritage, Politics and Identity. London, Routledge 2016

Catto, Mike. "Notes from a Small War: Art and the Troubles", in Mike Catto, Art in Ulster, volume 2, Belfast, Blackstaff Press, 1977: 125-144

Causevic, Senija and Lynch, Paul. 'Tourism development and contested communities: the issue of Belfast, Northern Ireland',  EspacesTemps.net, Textuel, 21.10.2008 
http://espacestemps.net/document6443.html 


Clukey, A. ‘White Troubles: The Southern Imaginary in Northern Ireland 2008–2016’, Arizona Quarterly: A Journal of American Literature, Culture, and Theory 73(4) 2017: 61-92

Colantonio, Laurent, ‘Les usages du passé sur les murals d’Irlande du Nord : De l’art d’exhiber les identités nationales’,  Psychanalyse et histoire Culturelle 5, 2022


Collins, Jim and Kerr, Adrian. Free Derry Wall. Derry, Guildhall Press 2009

Conway, Jack. 'Unbowed and Unbroken: A Conversation with Irish Republican Visual Artist Danny Devenny', Radical History Review 106, 2010: 163-171


Conrad, K. ‘Widening the Frame: the Politics of Mural Photography in Northern Ireland’, in W. Balzano, A. Mulhall and M. Sullivan (eds) Irish Postmodernisms and Popular Culture. London, Palgrave Macmillan, 2007: 85-99

Cook, William. ‘The Long Drawn-out Struggle’, New Statesman, 26 June 2000: 43-45

Crooke, E. The construction of community through heritage in Northern Ireland., in M. McCarthy (ed.) Ireland’s Heritages: Critical Perspectives on Memory and Identity. Ashgate, Aldershot, 2005: 223-35

Crowley, Tony. The Art of Memory: The Murals of Northern Ireland and the Management of  History.  http://scholarship.claremont.edu/cgi/viewcontent.cgi?article=1027&context=scripps_fac_pub

Crowley, Tony. 'Hegemonic Shifts: the Latest from the Walls of Northern Ireland', Estudios Irlandeses 10, 2015: 58-76


Crowley, T. ‘Reading Republican Murals in Northern Ireland: Archiving and Meaning-Making’, Studi irlandesi. A Journal of Irish Studies 12, 2022: 87-117

Davies, Lyell. 'Republican Murals, Identity and Communication in Northern Ireland', Public Culture 13(1), 2001: 155-158

De Miguel Molina, M. and Skinner, J. ‘Walls of Expression and Dark Murals Tourism’, Anthropology News 60(6) 2019: 57-64

Deane, Seamus. "The Artist and the Troubles", in T.P. Coogan (ed), Ireland and the Arts, London, Namara Press, 1983: 42-50

Dengerink Chaplin, Adrienne. 'Art, Protest and Peace: The Murals of the Bogside Artists', in Mitchell, Jolyon, Vincett, Giselle, Hawksley, Theodora and Culbertson, Hal (eds) Peacebuilding and the Arts, London, Palgrave Macmillan 2020:  91-117


Downey, H. and Sherry, J. ‘Modulating mythology in a post-traumatic era: Murals and re-imaging in Northern Ireland’, in J. Desmond and D. Kavanagh (eds) Myth and the Market. Dublin, University College Dublin, Press 2014: 281-304

Fillis, I. and Lehman, K. 'Cultural murals and the evolving nature of the hero concept: an arts marketing context', Arts and the Market 12(3) 2022: 197-214. https://doi.org/10.1108/AAM-10-2021-0056

Finn, G. 'Qualitative Analysis of Murals in Northern Ireland: Paramilitary Justifications for Political Violence', in N. Hayes (ed), Doing Qualitative Analysis in Psychology, Hove, Psychology Press, 1997: 143-178

Fletcher, A. ‘Painting Politics and History in the North of Ireland’, Juniata Voices 10, 2010: 14-28

Foran, C. ‘Belfast's Murals: The History of the High Walls’, Queen's Quarterly 121(3) 2014: 362-378.

Forker, Martin and McCormick, Jonathan. ‘Walls of History: the Use of Mythomoteurs in Northern Ireland murals’, Irish Studies Review 17(4) 2009: 423-465
Fowler, Cynthia. ‘Transnational Solidarity: African American and Irish Intersections Public Art Commemorating Frederick Douglass’, in Cynthia Fowler and Paula Murphy (eds) Art History at the Crossroads of Ireland and the United States, Routledge 2022

Gallagher, Carmel and Hanratty, Anne. ‘The War on the Walls’, Ulster Folklife, 35, 1989, pp. 100-108

Germain, Cécilia and Doutre, Julien, ‘When Walls Bear Witness: From Collective Memory to Tourist Artefact in Belfast and Derry’, Urbanities 11(2) 2021: 34-53

Gillespie, Gordon. Troubled Images: The Northern Ireland Troubles and Peace Process 1968-2007. Newtownards, Colourpoint Books 2007

Goalwin, Gregory. 'The Art of War: Instability, Insecurity and Ideological Imagery in Northern Ireland's Political Murals, 1979-1998', International Journal of Politics, Culture and Society 26, 2013: 189-215

Goalwin, Gregory. '
The Curious Case of Cú Chulainn: Nationalism, Culture, and Meaning-Making in the Contested Symbols of Northern Ireland', Studies in Ethnicity and Nationalism 2020: https://doi.org/10.1111/sena.12304

Goulding, S. and McCroy, A. ‘Representing the (un) finished revolution in Belfast's political murals’ Critical Discourse Studies 18(5) 2021: 538-564

Graham, Donald. "The Politics of Graffiti", Ireland Politics and Society 1(1), 1985: 91-98

Gribben, Arthur. "The Táin Tradition in Contemporary North County Louth", Éire-Ireland, 24(4), 1989: 6-20

Hartnett, Alexandra. 'Introducing King Nuadha: Mythology and Politics in the Belfast Murals', in Bettina Kimpton (ed) Proceedings of the Harvard Celtic Colloguium, vol. XXIII, 2003: 133-148

Hill, Andrew and White, Andrew ‘Painting Peace? Murals and the Northern Ireland Peace Process’, Irish Political Studies 27(1) 2012: 71–88 

Hocking, Bryanna. 'Beautiful Barriers: Art and Identity along a Belfast "Peace" Wall', Anthropology Matters 14(1) 2012

Hopper, Philip and Renfro, Evan, ‘Speaking Graffiti: Imaging Human Rights from Belfast to the West Bank’, Humanity and Society 46(2) 2021

Howe, Stephen. ‘Mad Dogs and Ulstermen the crisis of Loyalism (part one)’, 2005; http://www.opendemocracy.net/globalization-protest/loyalism_2876.jsp

Hill, Andrew and White, Andrew. 'The Flying of Israeli Flags in Northern Ireland', Identities: Global Studies in Culture and Power 15, 2008: 31-50

Hill, Andrew and White, Andrew. 'Painting Peace? Murals and the Northern Ireland Peace Process', Irish Political Studies 27(1) 2011: 71-88

Howe, Stephen. ‘Mad Dogs and Ulstermen the crisis of Loyalism (part two)’, 2005; http://www.opendemocracy.net/democracy-protest/loyalism_2885.jsp

Jackson, Alvin. 'Irish Unionist Imagery, 1850-1920', in Eve Patten (ed) Returning to Ourselves: Second Volume of Papers from the John Hewitt Summer School. Belfast, Lagan Press, 1992: 344-359

Jarman, Neil. "Troubled Images: the Iconography of Loyalism", Critique of Anthropology, 12(2), 1992: 133-165

Jarman, Neil. Material Conflicts: Parades and Visual Displays in Northern Ireland, Oxford, Berg, 1997

Jarman, Neil. ‘The Ambiguities of Peace: Republican and Loyalist Ceasefire Murals’, Causeway, spring 1996: 23-27

Jarman, Neil. ‘Painting Landscapes: the place of murals in the symbolic construction of urban space’, in A. Buckley (ed). Symbols in Northern Ireland, Belfast, Institute of Irish Studies, 1998, pp. 81-98

Jarman, Neil. Displaying Faith: Orange, Green and Trade Union Banners in Northern Ireland. Belfast, Institute of Irish Studies, Queen’s University, 1999

Jarman, Neil. ‘Not an Inch’, Peace Review 13(1) 2001: 35-41

Jarman, Neil. ‘Shrouded Signs and Obscured Symbols’, introduction to Eoghan McTigue, All Over Again. Belfast, Belfast Exposed, 2004

Johnston, Edwin. "Folk Art in Ulster", Architectural Review, 1970: 205-6

Johnston, Mark. ‘The Forest of Belfast: Healing the Environment and the Community’, Arboriculture Journal 19, 1995: 53-72

Joseph, Anthony C. The Bogside Artists: The People’s Gallery. Derry, nd.


Kappler, S. and McKane, A. 2019. ‘“Post-conflict Curating”: the arts and politics of Belfast’s peace walls’, de arte, 54(2) 2019: 4-21.

Kelly, William. Murals: the Bogside Artists, Derry, Guildhall Press, 2001
​
Kehoe, P. and Dunne, L. ‘Muralling’and Reconciliation in Northern Ireland: The Complex Role of Public Art in Peace Processes. Contested Histories Occasional Paper 2021

Killen, John. John Bull's Famous Circus: Ulster History through the Postcard 1905-1985. Dublin, O'Brien Press 1985

King, Guy. ‘Murals in the Bogside 1969-1999’, The Local Historian 33(4), 2003: 226-243

Koh, Eugen. Art, Healing and Northern Ireland,2015; 
https://democracyandpeace.org/wp-content/uploads/2016/10/Art-healing-and-Northern-Ireland-2015.pdf  

Kuusisto, Anna-Kaisa. ‘Territoriality, Symbolism and the Challenge’, Peace Review 13(1) 2001: 39-66

Larsson, Fredrika. Identities on the Walls: A Comparative Study of Loyalist and Republican Murals in Northern Ireland. Lund University, Department of History. https://www.academia.edu/5457819/Identities_on_the_Walls_A_Comparative_Study_of_Loyalist_and_Republican_
murals_in_Northern_Ireland


Latimer, Joanne. ‘A project to replace infamous Belfast murals comes under fire: Something a can of paint can’t fix?’, Macleans Magazine, July 6, 2011.
http://www2.macleans.ca/2011/07/06/something-a-can-of-paint-can-fix/

Leonard, Madeleine. 'A Tale of Two Cities: "Authentic" Tourism in Belfast', Irish Journal of Sociology 19(2) 2011

Lisle, Debbie. 'Local symbols, global networks: rereading the murals of Belfast', Alternatives: Global, Local, Political, Jan-March 2006

Loftus, Belinda. "Will the Real King Billy Please Stand up?", Fortnight, 142, 1977;: 8-9

Loftus, Belinda. "Mother Ireland and the Troubles: Artist, Model and Reality", Circa, 1, 1981: 9-13

Loftus, Belinda. "Images for Sale: Government and Security Advertising in Northern Ireland, 1969-1978", Oxford Art Journal, October 1980: 70-80

Loftus, Belinda. "Loyalist Wall Paintings", Circa, 8, 1983: 10-14

Loftus, Belinda. "Photography, Art and Politics: How the English Make Pictures out of Northern Ireland's Troubles", Circa, 13, 1983: 10-14

Loftus, Belinda. "Matters of Life and Death: Protestant and Catholic Ways of Seeing Death in Northern Ireland", Circa, 26, 1986: 14-18

Loftus, Belinda. Mirrors: William III and Mother Ireland, Dundrum, Co. Down, Picture Press, 1990

Loftus, Belinda. Mirrors: Orange and Green, Dundrum, Co. Down, Picture Press, 1994


Maney, G.M., Smithey, L.A. and Sartre, J. ‘Paramilitary public symbolic displays in Northern Ireland: a content and geospatial analysis’, Bringing Down Divides 43, 2019: 13-37

McAtackney, Laura 'Peace maintenance and political messages: The significance of walls during and after the Northern Irish “Troubles”’, Journal of Social Archaeology 11(1) 2011: 77–98

McAtackney, L. ‘Remembering the Troubles: Community Memorials, Memory and Identity in Post-Conflict Northern Ireland’, in E. Epinoux and F. Healey (eds) Post Celtic Tiger Ireland: Exploring New Cultural Spaces. Newcastle upon Tyne, Cambridge Scholars Publishing 2016: 42-63

McCormick, Jonathan and Jarman, Neil. ‘Death of a Mural’, Journal of Material Culture 10(1) 2005: 49-71

McDowell, S. ‘Commemorating dead “men”: gendering the past and present in post-conflict Northern Ireland’, Gender, Place and Culture 15(4) 2008: 335-354 

McGaughey, F. ‘A law unto themselves: murals in the Northern Ireland conflict’, in Research Handbook on Art and Law. Edward Elgar Publishing 2020: 335-352

McGuigan, Noel. "The Open Air Gallery of Political Art", Circa, 8, 1983: 15-18

McWilliams, Joseph. "Violence and Painting in Northern Ireland", Circa, May/June 1982: 7

Melendro, Sara. Painting the Walls, Engendering the Struggle: Depictions of masculinity and femininity on Belfast’s political murals, QUB, BSSc Women’s Studies 2000

Molina, Maria de Miguel. '
Visiting Dark Murals: An Ethnographic Approach to the Sustainability of Heritage', Sustainability 12(2) 2020; https://doi.org/10.3390/su12020677

Morris, Ewan. Our Own Devices: National Symbols and Political Conflict in Twentieth-Century Ireland. Dublin: Irish Academic Press 2005

Murals of Derry. Derry, Guidhall Press 2008

Murray, Lesley. 'Placing Murals in Belfast: Community, Negotiation and Change', in Cameron Cartiere and Martin Zebracki (eds) The Everyday Practice of Public Art: Art, Space and Social Inclusion, London, Routledge 2016: 45-62

Murphy, Yvonne et al (eds) Troubled Images: Posters and Images of the Northern Ireland Conflict from the Linen Hall Library Belfast. Belfast, Linen Hall Library 2001


O'Conor, Maggie. 'Symbolic landscapes: Exloring what Markings, Murals and Memorials Reflect about Interculturism on Belfast's Ormeau Road', Journal of Mediation and Applied Conflict Analysis, 6(1) 2019: 762-780

O’Regan, M. ‘Art and Conflict Resolution: Bloody Sunday, Northern Ireland’, in A. Murray (ed) Constructing the Memory of War in Visual Culture since 1914. London, Routledge 2019: 102-114

Petronienè, Saulè and Juzelénienè, Sauletè, ‘Community Engagement via Mural Art to Foster a Sustainable Urban Environment’, Sustainability 14(16) 2022; 10063; https://doi.org/10.3390/su141610063

Pilkington, Lionel. ‘Baron Cohen, Dan: Resistance to Liberation with Derry Culture and Education’, The Drama Review 38(4) 1994: 17-47

Pinkerton, Patrick. 'Poppies, Para Flags and the NHS: the Iterability of Commemoration in Northern Ireland', Irish Studies Review 29(4): 2021


Poole, R. ‘Welcome to the Shankill Road: Loyalist images of Northern Ireland’, Teaching History 47(4) 2013:71-73.

Principe-Nelson, N. ‘Irish Art and Literature during the Troubles (1968-1998)’, Emergence: a Journal of Undergraduate Literary Criticism and Creative Research 1(1) 2010: 2-8

Purbrick L. ‘The Last Murals of Long Kesh:  fragments of political imprisonment at the Maze Prison, Northern Ireland’ in A. Myers and G. Moshenska (eds) Archaeologies of Internment. New York, Springer, 2011: 263-284

Radford, K. ‘Extra-mural activities and trauma tourism: Public and community sector re-imaging of street art in Belfast’, in J. Skinner and L. Jolliffe (eds) Murals and Tourism: Heritage, Politics and Identity. London, Routledge 2016

Rafroiti, Patrick. 'Imagination and Revolution: The Cuchulainn Myth', in Oliver MacDonagh et al (eds) Irish Culture and Nationalism, 1750-1950. London, Macmillan 1983: 137-148

Rapp, M. and Romberg, M. ‘Seeking a Neutral Identity in Northern Ireland's Political Wall Paintings’, Peace Review 24(4) 2012: 470-477

Rapp, M. and Rhomberg, M. ‘The importance of murals during the Troubles: Analyzing the republican use of wall paintings in Northern Ireland’, in D. Machin (ed) Visual Communication De Gruyter Mouton 2014: 677-696

Redpath, J. 'No Murals Here', Circa, 8, 1983: 20-21

Rodrigo, E. 'Painting History: Murals in Northern Ireland', in David Clarke and Rúben Jarazo Alvaréz (eds) To Banish Ghost and Goblin: New Essays on Irish Culture, La Coruña, Netbiblo 2010: 111-121

Rohlf, Bradley. 'Posters, Handkerchiefs and Murals: Visual Gender Separation During the Troubles," Irish Communication Review 17(1) 2020: https://arrow.tudublin.ie/icr/vol17/iss1/6

Romens, Anne. ‘Re-imaging communities or Re-imaging heritage? A look at Northern Ireland’s latest transformation program’, http://www.saic.edu/pdf/degrees/pdf_files/aap/2007_Anne_Romens.pdf, 2007

Roulston, S. and Taggart, S. ‘Embedding Memory Into The Landscape – A Place For Stolpersteine In Northern Ireland?’, Dealing with the Legacy of Conflict in Northern Ireland through Engagement and Dialogue, Glencree Journal 2021: 209-220

Ryder, Caroline. ‘Painting the Town: Militant Street Art in Northern Ireland’, Swindle Quarterly, 2005: 79-91

Saleeby-Mulligan, Deborah. Painting the Irish Conflict: The Belfast Murals of Gerard Mo Chara Kelly. Saarbrücken: Lambert Academic Publishing

Santino, Jack. ‘Public Protest and Popular Style: Resistance from the Right in Northern Ireland and South Boston’, American Anthropologist 101(3) 1999: 515-528

Santino, Jack. Signs of War and Peace: Social Conflict and the Use of Public Symbols in Northern Ireland, London, Macmillan 2002


Serrano, J. and Benito de la Iglesia, T. ‘“Words Through Walls”: Chicano and Northern Irish Mural Traditions in Perspective’, Oceánide 11, 2019

Simone-Charteris, M. ‘State intervention in re-imaging Northern Ireland’s political murals: Implications for tourism and the communities’, in J. Skinner and L. Jolliffe (eds) Murals and Tourism: Heritage, Politics and Identity. London, Routledge 2016

Skinner, J. ‘Walking the Falls: Dark tourism and the significance of movement on the political tour of West Belfast’, Tourist Studies 16(1) 2016: 23-39.

Sluka, Jeffrey A. "The Politics of Painting: Political Murals in Northern Ireland", in C. Nordstrom and J. Martin (eds), The Paths to Domination, Resistance and Terror, University of California Press, 1992: 190-216

Sluka, Jeffrey A. ‘Domination, Resistance and Political Culture in Northern Ireland’s Catholic-Nationalist Ghettos’, Critique of Anthropology 15(1) 1995: 71-102


Sluka, J. ‘The Writing’s on the Wall: Peace process images, symbols and murals in Northern Ireland’, Critique of Anthropology 16(4) 1996: 381-387

Smith, Duncan. Irish Republican Images, Catalogue of mixed media exhibition, London, Pentonville Gallery, November/December 1983

Smith, Jonathan. "The Art of the Ghettoes", New Society, 18 October 1984: 104-105


Smithey, L. ‘Conflict Transformation, Cultural Innovation and Loyalist Identity in Northern Ireland’, in M. Ross (ed) Culture and Belonging in Divided Societies: Contestation and Symbolic Landscapes. Philadelphia, University of Pennsylvania Press 2009: 85-106

Smithey, Lee. 'Mitigating Murals and Loyalist Cultural Innovation', in Lee Smithey, Unionists, Loyalists and Conflict Transformation in Northern Ireland. Osford University Press 2011: 78-115

Spangler, M., 2009. Performing ‘the Troubles’: Murals and the Spectacle of Commemoration at Free Derry Corner,' in S. Brady and F. Walsh (eds) Crossroads: Performance Studies and Irish Culture, London, Palgrave MacMillan 2009: 100-113

The Belfast Mural Guide, Belfast, MSF Press, 2014

Thorndyke Street Murals, East Belfast. Belfast, East Belfast Historical and Cultural Society 2006

Traynor, Kevin. Loyalist Murals of Northern Ireland. Belfast Ashling Photography 2008

Traynor, Kevin. Nationalist Murals of Northern Ireland. Belfast Ashling Photography 2008

Vannais, Judy. Post-ceasefire Political Murals in Northern Ireland: a Process of ‘Legitimation’? MA thesis, Irish Studies, Queen’s University, Belfast 1999

Watson, Julian. "Brightening the Place up?", Circa, 8, 1983: 4-10


White, B. ‘The Writing on the Wall: The Significance of Murals in the Northern Ireland Conflict’, in J. de Jong, I. Megens and M. van der Waal (eds) Walking the Tightrope: Europe between Europeanisation and Globalisation. Selected papers presented at European studies intensive programme 2010, University of Groningen. Euroculture consortium, 2011: 307-325

Wiedenhoft Murphy, W. 'Touring the Troubles in West Belfast: Building Peace or Reproducing Conflict', Peace and Change 35(4) 2010: 537-559

Wilson, Des. 'The Painted Message', Circa, 8, 1983: 19-20

Woods, Oona. Seeing is Believing? Murals in Derry, Derry, Guildhall Press, 1994
 

Films/Video

Art of Conflict, Wild West Films 2013; trailer -
https://www.youtube.com/watch?v=I8tLJMeZgSg

A Canvas on Every Corner, BBC Northern Ireland 2013; www.bbc.co.uk/arts/0/24465711

Beyond the Walls, Power Surge 2014; trailers -
https://vimeo.com/87536533 and
https://vimeo.com/93321685

Together in Pieces, 2014; trailer -
http://www.togetherinpieces.co.uk/watchfilm.html

Murals in Northern Ireland, 2015: https://www.youtube.com/watch?v=0kZUGvJX3zA


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